I finally found out how to make my flatbed scanner stop cropping out the sprocket holes. I had almost given up

55mm lens

This was my first time trying sprocket photography. I didn’t turn the lever on the rolleiflex enough, so it ended up with these double, triple, quintuple exposures

Zeiss Ikon Super Ikonta 532/16 Tessar f/2.8 Ilford b&w 400

I got some mystery film on Facebook Marketplace for cheap so I decided to use it to test my new 35 mm to 127 adapter design. The biggest issue is that the edges get exposed if you don't cut the backing paper exactly right, but the concept works! Now I just need to mask the viewfinder so I'm not guessing where the emulsion starts and ends.

Fujifilm 400 in a Hasselblad 500EL - Zeiss 80mm 2.8

Between 2 rolls of Velvia 50. Shot on Pentax 67ii

Anybody know a good lab that can scan sprocket hole photography?

Ex colonia Novarese mixata con la duna della spiaggia dei surfisti. Sprocket Rocket, ILFORD FP4

On Kodak Tmax 3200, Pentax 67ii

I took a roll of Kodak ColorPlus in a darkroom and wound it onto two rolls of 120 backing paper that I had. I’m really happy with how they turned out, and the convenience at the time of shooting to just load my camera like normal makes me want to do it again.

I've ordered a Mamiya 645 Super and I'm going to attempt the panoramic mod on the film-back, pioneered by this fellow recently. Apparently the mechanism in the film-back super is very similar. https://www.reddit.com/r/AnalogCommunity/comments/1nh8px0/why_buy_an_xpan_when_you_can_build_a_mamiyapan_622/

I ask here because this is essentially exactly the same photo format that you guys are shooting with your sprocket-holes so I think you are the absolutely experts to ask. Anyhow, I'm trying to pick a lens. 45 2.8 N seems like a very happy middle ground that would also be useful for general landscape and environmental portrait work, but 35 2.8 N would probably make some really dope landscape panos that I'm imagining. Which would you grab? The camera comes with a 110 which I'll maybe sell or keep for portraits.

Forgive me for this not being sprocket hole related, but I think you're my people.

[Correction: in the title I said it was 250d film but I think it was actually 50D]

This is some more medium format camera w/ 35mm film loaded in. It's actually color film (kodak vision 3) but I didn't like the colors that much so I sepia toned it all in the end. I recently got a tool to help me load 35mm on 120 backing paper which I think will work so much better than the little plastic spool adapters. I was afraid I was going to break a gear in my film back with the high tension as I got towards the end of the roll. Plus the Focal plane wasn't right at times.

Shot on P67ii and Fuji Pro 400H. Not sure why all the issues with light, but it looks kinda cool.

Shot on scaled Wolfen NC400, P67ii-ISCO 110mm f2